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The Seven Stages of Writing Grief

The inevitable cycle of love/hate/love/hate/surrender

Susan Orlean
2 min readDec 29, 2020
Photo by Glen Carrie on Unsplash
  1. I am going to write something that is going to be a HUGE breakthrough piece for me. It’s going to sound different from anything I’ve ever written. It is going to be epic. I will not fall back on all my tired habits and threadbare vocabulary choices and familiar tone: I am going to be reinvented. The future is MINE.
  2. This piece is a tad harder than I expected it to be. To begin with, is this even a story idea? Do I have any cool details to include? I was kind of expecting a little… more. Maybe I should call my editor and suggest we drop this?
  3. Ok, not a great idea to suggest to Editor to drop the piece. Editor feels I sold him on it as brilliant idea and I’m being, maybe, lazy. Ok. Review notes, reconsider structure, think, think, think. Think NEW. Think SOMEONE ELSE’S WAY OF WRITING.
  4. On second thought, maybe best to approach this the way I usually do, since I know how to do that. Also, the deadline is approaching, so let’s stop fucking around and just get something, anything, comprehensible on the page. This doesn’t have to be epic; I just need to get it done. A piece of decent craftsmanship will suffice.
  5. Hey, this is pretty good! Like, quite good! I mean, it doesn’t break any new ground but it’s…

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Susan Orlean
Susan Orlean

Written by Susan Orlean

Staff writer, The New Yorker. Author of The Library Book, The Orchid Thief, and more…Head of my very own Literati.com book club (join me!)

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